Prompt
A four-second singing blues-lead stinger in A minor pentatonic, played on a solid-body electric through a warm low-gain tube overdrive into a 1x12 open-back cab, with a short slapback and a small plate. From frame 0 a quick three-note slurred pickup climbs the G string: a picked A, a hammer-on to C and a slide up to D. It lands exactly on frame 30 (1.0 s) on a hard-picked E on the B string that is bent a full step and a half up to G. The bend is one continuous push that arrives a hair flat and settles in tune. The held note then gets a wide finger vibrato that starts slow and speeds up. A slight release-and-rebend dip follows, and then the note blooms into a soft octave-harmonic feedback swell that fades to silence by about 3.9 s. The strings are physically modelled. Each string is additive, with integrated-phase pitch so that bends, slides and vibrato stay continuous. The model adds stiffness inharmonicity, faster decay for higher partials, pick- and pickup-position combs, and a resonant pickup. The amp is 4x oversampled, and the cab rolls off everything above about 6 kHz, so the drive stays warm with no fizz.
Metrics
- Integrated LUFS
- -14 LUFS
- True peak
- -7.88 dBTP
- Length
- 4s · 192,000 samples @ 48000 Hz
- Target master
- -14 LUFS · peak ≤ -1 dBTP
- Checks
- Passed
Spectrogram
Generated code
Loading…Timing & cues
30 fps · seed 4030
- Frame 0: pickup
- Frame 30: bend
Physically modelled electric lead: each string is an additive bank with integrated-phase pitch (continuous hammer-on, fret-quantised slide, 1.5-step bend, accelerating 3.9->6.4 Hz finger vibrato under the bent pitch, release-and-rebend dip), stiffness inharmonicity, per-partial b1+b3*f^2 decay, pick- and moving neck-pickup-position combs, a resonant pickup, pick scrape, slide squeak and fret-rub noise. The octave feedback bloom swells partial 2 while the other partials give way. Arc: picked A, hammer C, slide D (pickup from frame 0, ~-17 LUFS), a short finger mute, then the struck E bent to G exactly on frame 30 (loudest, -12), a singing vibrato hold, a dip at 2.4 s, the octave bloom (2.6-3.3 s), and a fade to silence by 3.85 s. Two-stage asymmetric tanh overdrive at 4x oversampling, tone stack, 1x12 open-back cab (steep roll-off, nothing above ~7 kHz), 112 ms slapback and a small noise-IR plate. The side is high-passed at 700 Hz (zero-phase) so the low end stays mono. No limiting was needed (-14 LUFS at -8 dBTP); TPDF dither.
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