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Neo-soul clean guitar lick

Guitar · 2026-10-06

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Prompt

A 9-second clean neo-soul electric guitar lick in E major at 72 BPM, played on a glassy single-coil guitar in the "in-between" neck+middle pickup position into a clean tube amp with light compression and a spring reverb. On frame 0 the fretting thumb holds a low A under a fingerpicked double stop whose lower note hammers up a whole step into a bright A-major shape. A second hammered double stop in thirds adds a lydian colour, the thumb walks down to G#, and a pair of sixths slides up the G and high-E strings with a little finger vibrato. One muted ghost "chuck" follows, then a quick pentatonic run that opens with a grace-note pull-off and lands over a thumbed C#. A 4th-to-3rd hammered double stop follows, then a singing whole-step bend over a B bass, held with a finger vibrato that starts slow and quickens before the bend eases back. After a short breath, frame 200 lands on a fast-rolled, lush Emaj9 chord that rings out with a soft chiming 7th-fret natural harmonic on top, and the spring tail fades to silence. Every note is modelled as a real string: an additive waveguide-style string with inharmonic partials, frequency-dependent decay, two polarisations, pluck-position and twin-pickup comb filtering, per-string voice stealing, fretted slides that step across the frets, and humanised timing.

Metrics

Integrated LUFS
-14 LUFS
True peak
-1.3 dBTP
Length
9s · 432,000 samples @ 48000 Hz
Target master
-14 LUFS · peak ≤ -1 dBTP
Checks
Passed

Spectrogram

Spectrogram of Neo-soul clean guitar lick, a free guitar sound at 9s and 72 BPM

Generated code

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Timing & cues

72 BPM · 30 fps · seed 72009

  • Frame 0: lick
  • Frame 200: resolve chord

Additive physical string model (inharmonic partials, f^2-dependent decay, two polarisations, pluck-position and signed neck+middle pickup combs, per-string voice stealing, stepped fret slides, upward-only finger vibrato) into light compression, a 4x-oversampled clean tube stage, tone stack, 1x12 cab and a frequency-domain dispersive spring tank. Phrase: thumb-fretted bass under hammered double stops, sixths slide, ghost chuck, pentatonic run with grace pull-off, whole-step bend; frame 200 = rolled Emaj9 (0 7 6 8 7 x) plus a 7th-fret natural harmonic, faded to silence by a volume-knob ease.

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